![]() You can also sidechain to Pro-C2, which is where you'll also be able to adjust the EQ of your sidechain, to apply a high pass or even mid side correction to your sidechain response. While great compressors can be found everywhere, there aren't many that are as versatile and capable as Pro-C2. It's easy to use, see what you're doing, but more importantly, Pro-C2 sounds incredible. The interface itself is an example of what plugin design should be like. Great as a bus compressor, adding some parallel compression or mid side processing to your audio, FabFilters Pro C2 is easily the most versatile compressor you can get. You can use it as a clean compressor, an optical model, bus, punch, mastering compressors, as well as a vocal mode with auto-ratio. Pro-C2 is an incredible compressor unit, with multiple modes. Packed full of fetaures, this dynamic compressor is probably the best compressor you can get right now.įabFilter products have appeared on pretty much every top VST plugin l ist on the internet. On the bottom edge you'll find the sidechain ducking switch, as well as the dry wet and gain settings.įabFilter's Pro-C2 is arguably, the industry standard when it comes to digital compression plugins. In addition to this, you also get a spectral compression dial, with a separate sensitivity control. While it's mostly focused on the automatic adjustments, you get full control over the attack time, release, threshold and compression ratio of your plugin. It's light enough, that you can add a lot of instances of smart:comp in one project, and you shouldn't worry about your CPU getting upset. ![]() Lastly, something that can be an issue with “smart” plugins, the CPU usage, is not an issue with smart:comp. It's perfect to perform the duties of a basic compression unit or even bus compressor, producing a clean and transparent dynamic adjustment. That being said, smart:comp will probably not replace your main compressor plugins, rather, it provides a great starting point for your audio. ![]() The Auto Gain function also helps, to instantly correct your gain, so you don't have to worry about ruining your gain structure. Press the analyze button on a track, adjust the threshold to the amount of compression you want, and it'll do the rest. They can also be applied creatively to create sonic webs and arpeggiated pulses – or even as a callback to a particular era of recording: throwing on some slapback delay onto a vocal or guitar track for a 50s-recording feel.ĭelays can also be “played” as instruments, achieving wild and pitchy fluctuations when you set them to self-oscillate.Using frequency-selective processing smart:comp analyzes over 2000 frequency bands, essentially becoming a surgical multi-band unit.Ī great compressor plugin, smart:comp is something you can use on pretty much anything. These will sound different based on your delay’s tone and temperament, and we’ll go through how to do that next… How do delays work?Īs their name suggests, a delay’s main function is to repeat (or echo) a sound a set number of times, and it’s on the user to decide how it should sound to best fit their production. That falls mainly on three ubiquitous delay controls: time, feedback (sometimes referred to as repeats or regen) and mix. Time controls how long it takes before a sound is first repeated, while feedback decides how many repeats there will be. With the latter, this is done by feeding the repeated sound back into the delay, hence the term feedback. On self-oscillation: it’s a sound you’ve probably heard before (For reference, check out the ending of Radiohead’s Karma Police). Essentially, if you set the feedback setting all the way up, the delay feeds back into itself infinitely adjusting the time setting while this happens lets you fluctuate the pitch in some very trippy and fun ways.Īnd sure, while you can automate self-oscillation through your DAW, take it from us: it’s a lot more fun and intuitive when you can actually get your hands on the dials – so consider getting a MIDI controller if you haven’t already got one. What types of delays are there, and how are they different?įor this list, we’ll categorise delay plug-ins into four types: analogue, digital, tape and creative. ![]() ![]() Here’s a breakdown:Īnalogue – really analogue-style – means a delay that has been designed to take after real-world circuits. Usually, this involves emulating the warmth of bucket-brigade chips as heard in guitar pedals such as the Electro-Harmonix Memory Man or MXR Carbon Copy. ![]()
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